Thy pomp is laid down in the grave. He mentions royal pomp, that this change may be more attentively considered by comparing the latter with the former; and he shows that that pomp could not prevent him from being reduced to the same level with other men. Under the term musical instruments, he includes all the luxuries and enjoyments in which kings are wont to indulge; because not only does the sweetness of music cause them to forget death, but the mad sound of them drives away all sadness, and in some respects stupifies the minds of men. The worm is spread under thee, and the worms cover thee. In this second clause, the dead say jestingly, "Thou hast obtained a bed worthy of thee; for the worms serve thee for tapestry or a soft couch, and the worm serves for a splendid coverlet." In a word, there is here exhibited to us a lively painting of the foolish confidence of men, who, intoxicated with their present enjoyments and prosperity, flatter themselves. This doctrine ought to be carefully pondered; for though men be well aware of their condition, and have death before their eyes, yet overrun by ambition, and soothed by pleasures, and even fascinated by empty show, they forget themselves.

Thy pomp - Thy magnificence (see the note at Isaiah 5:14).
The noise of thy viols - Instruments of music were often used in their feasts; and the meaning here is, that instead of being surrounded with splendor, and the instruments of music, the monarch was now brought down to the corruption and stillness of the grave. The instrument referred to by the word 'viol' (נבל nēbel, plur. נבלים nebalı̂ym, Greek νάβλα nabla, Latin nablium), was a stringed instrument usually with twelve strings, and played by the pecten or by the hand (see the notes and illustrations on Isaiah 5:12). Additional force is given by all these expressions if they are read, as Lowth reads them, as questions asked in suprise, and in a taunting manner, over the haughty king of Babylon - 'Is thy pride then brought down to the grave?' etc.
The worm - This word, in Hebrew (רמה rimmâh), denotes a worm that is found in putrid substances Exodus 16:25; Job 7:5; Job 21:26.
Is spread under thee - Is become thy couch - instead of the gorgeous couch on which thou wert accustomed to repose.
And the worm - (תולעה tôlê‛âh) - the same word which occurs in Isaiah 1:18, and rendered there as "crimson" (see the note on that verse). This word is usually applied to the insect from which the crimson dye was obtained; but it is also applied to the worm which preys upon the dead Exodus 16:20; Isaiah 66:24.
Cover thee - Instead of the splendid covering which was over thee when reposing on thy couch in thy palace. What could be more humiliating than this language? How striking the contrast between his present situation and that in which he reposed in Babylon! And yet this language is as applicable to all others as to that prond and haughty king. It is equally true of the great and mighty everywhere; of the rich, the frivolous, the beautiful, and the proud who lie on beds of down, that they will soon lie where worms shall be their couch and their covering. How ought this reflection to humble our pride! How should it lead us to be prepared for that hour when the grave shall be our bed; and when far away from the sound of the viol and the harp; from the sweet voice of friendship and the noise of revelry, we shall mingle with our native dust!

Cover thee "Thy covering" - Twenty-eight MSS. (ten ancient) of Kennicott's, thirty-nine of De Rossi's, twelve editions, with the Septuagint and Vulgate, read ומכסך umechassecha, in the singular number.

Thy pomp is brought down to the grave, [and] the noise of thy viols: the worm (g) is spread under thee, and the worms cover thee.
(g) Instead of your costly carpets and coverings.

Thy pomp is brought down to the grave,.... Or "hell"; all the state and majesty in which he appeared, when sitting on the throne of his kingdom, with a glittering crown on his head, a sceptre in his hand, clad in the richest apparel, and attended by his princes and nobles with the utmost reverence and submission; all this, with much more, followed him to the regions of the dead, and there it left him; see Psalm 49:17,
and the noise of thy viols; or musical instruments, even all of them, one being put for all; such as were used at festivals, and at times of joy and rejoicing, of which the Babylonians had many, and very probably were used at the feast by Belshazzar, when the city was taken, and he was slain; to which reference may be had in this place, Daniel 3:5 compare with this Revelation 18:16,
the worm is spread under thee, and the worms cover thee; who used to have rich carpets spread for him to tread upon, and stately canopies under which he sat, beds of down to lie upon, and the richest covering over him, and now, nothing but worms over him, and worms under him; or instead of being wrapped in gold and silk, and embalmed with the most precious spices, as the eastern kings used to be, he had not so much as a grave, but was cast out of that, as is after said, and so was liable to putrefaction, and to be covered with worms at once; worms in his bed, and worms in his bed clothes! See Job 21:26.

"Pomp" and music, the accompaniment of Babylon's former feastings (Isaiah 5:12; Isaiah 24:8), give place to the corruption and the stillness of the grave (Ezekiel 32:27).
worm--that is bred in putridity.
worms--properly those from which the crimson dye is obtained. Appropriate here; instead of the crimson coverlet, over thee shall be "worms." Instead of the gorgeous couch, "under thee" shall be the maggot.
The language is so framed as to apply to the Babylonian king primarily, and at the same time to shadow forth through him, the great final enemy, the man of sin, Antichrist, of Daniel, St. Paul, and St. John; he alone shall fulfil exhaustively all the lineaments here given.

"Thy pomp is cast down to the region of the dead, the noise of thy harps: maggots are spread under thee, and they that cover thee are worms." From the book of Daniel we learn the character of the Babylonian music; it abounded in instruments, some of which were foreign. Maggots and worms (a bitter sarcasm) now take the place of the costly artistic Babylonian rugs, which once formed the pillow and counterpane of the distinguished corpse. יצּע might be a third pers. hophal (Ges. 71); but here, between perfects, it is a third pers. pual, like yullad in Isaiah 9:5. Rimmâh, which is preceded by the verb in a masculine and to a certain extent an indifferent form (Ges. 147, a), is a collective name for small worms, in any mass of which the individual is lost in the swarm. The passage is continued with איך (on which, as a catchword of the mashal, see at Isaiah 1:21).

Thy pomp - All thy glory is buried with thee. Viols - All thy musical instruments, which were much used in Babylon, and were doubtless used in Belshazzar's solemn feasts, Daniel 5:1, at which time the city was taken; to which possibly the prophet here alludes. The worm - Instead of those stately carpets upon which thou didst frequently tread.