Thou art all fair, my love; there is no spot in thee.

Thou art all fair, my friend, And a blemish there is not in thee. Come from Lebanon, O spouse,

You are all fair, my love; there is no mark on you.

Section 4:7-5:1: The king meeting the bride in the evening of the same day, expresses once more his love and admiration in the sweetest and tenderest terms and figures. He calls her now "bride" (spouse, Song 4:8) for the first time, to mark it as the hour of their espousals, and "sister-bride" (spouse, Song 4:9-10, Song 4:12; Song 5:1), to express the likeness of thought and disposition which henceforth unites them. At the same time he invites her to leave for his sake her birthplace and its mountain neighborhood, and live henceforth for him alone.

Thou art all fair - there is no spot in thee - "My beloved, every part of thee is beautiful; thou hast not a single defect." The description given of the beauties of Daphne, by Ovid, Metam. lib. 1: ver. 497, has some similarity to the above verses: -
Spectat inornatos collo pend ere capillos.
Et, quid si comantur? ait. Videt igne micantes
Sideribus similes oculos; videt oscula, quae non
Esther vidisse satis. Laudat digitosque, manusque,
Brachiaque, et nudos media plus parte lacertos.
Si qua latent meliora putat.
Her well-turn'd neck he view'd, (her neck was bare),
And on her shoulders her disheveled hair.
O, were it comb'd, said he, with what a grace
Would every waving curl become her face!
He view'd her eyes, like heavenly lamps that shone,
He view'd her lips, too sweet to view alone;
Her taper fingers, and her panting breast.
He praises all he sees; and, for the rest,
Believes the beauties yet unseen the best.
Dryden.
Jayadeva describes the beauty of Radha in nearly the same imagery: "Thy lips, O thou most beautiful among women, are a bandhujiva flower; the lustre of the madhuca beams upon thy cheek; thine eye outshines the blue lotos; thy nose is a bud of the tila; the cunda blossom yields to thy teeth. Surely thou descendedst from heaven, O slender damsel! attended by a company of youthful goddesses; and all their beauties are collected in thee." See these poems, and the short notes at the end.
The same poet has a parallel thought to that in Song 4:5, "Thy two breasts," etc. The companions of Radha thus address her: "Ask those two round hillocks which receive pure dew drops from the garland playing on thy neck, and the buds on whose tops start aloft with the thought of thy beloved."

Thou art all fair, my love,.... Being justified by the righteousness of Christ, washed in his blood, and sanctified by his Spirit; of the title, my "love", see Song 1:9. The church is often said by Christ to be "fair", his "fair one", and the "fairest among women", Song 1:8; but here "all fair", being a perfection of beauty, and perfectly comely through his comeliness: this is said to show her completeness in Christ, as to justification; and that, with respect to sanctification, she had a perfection of parts, though not of degrees; and to observe, that the church and "all" the true members of it were so, the meanest and weakest believer, as well as the greatest and strongest. It is added,
there is no spot in thee; not that the saints have no sin in them; nor any committed by them; nor that their sins are not sins; nor that they have no spots in them, with respect to sanctification, which is imperfect; but with respect to their justification, as having the righteousness of Christ imputed to them, and covered with that spotless robe, they are considered as having no spot in them; God sees no sin in them, so as to reckon it to them, and condemn them for it; and they stand unblamable and unreproveable in his sight; and will be presented by Christ, both to himself and to his father, and in the view of men and angels, "not having spot or wrinkle, or any such thing", Ephesians 5:27, upon them.

Assurance that He is going from her in love, not in displeasure (John 16:6-7).
all fair--still stronger than Song 1:15; Song 4:1.
no spot--our privilege (Ephesians 5:27; Colossians 2:10); our duty (2-Corinthians 6:17; Jde 1:23; James 1:27).

This childlike modest disposition makes her yet more lovely in the eyes of the king. He breaks out in these words:
7 Thou art altogether fair, my love,
And no blemish in thee.
Certainly he means, no blemish either of soul or body. In Song 4:1-5 he has praised her external beauty; but in Song 4:6 her soul has disclosed itself: the fame of her spotless beauty is there extended to her would no less than to her external appearance. And as to her longing after freedom from the tumult and bustle of court life, he thus promises to her: