30 You, when you are made desolate, what will you do? Though you clothe yourself with scarlet, though you deck you with ornaments of gold, though you enlarge your eyes with paint, in vain do you make yourself beautiful; (your) lovers despise you, they seek your life.
*Minor differences ignored. Grouped by changes, with first version listed as example.
The Prophet boldly ridicules the Jews, in order to cast down their pride and haughtiness. It was indeed his object to check that pride with which they were elated against God. The Prophet could not have done this without assuming a higher strain than usual, and by rendering his discourse more striking by using metaphorical words. It is indeed the language of derision; he exclaims, What wilt thou do, thou wretched one? The Jews had hitherto been inflated with contempt towards God, and their high spirits had not been subdued. Since, then, their haughtiness continued untamed, the Prophet cries out and says, "Thou wretched, what wilt thou do?" as though he had said, "In vain do they flatter themselves and promise themselves aid from this and from that quarter, for their condition is past any remedy." [1] He afterwards adds, Though, etc.; for so I consider the connection of the verse; and they seem right to me who do not separate the words of the Prophet. But the view which others take appears frigid, "Who now adornest thyself, who now clothest thyself in scarlet, who adornest thyself with ornaments of gold, who paintest thy eyes black." To no purpose do they introduce the relative, for it renders the meaning of the Prophet different from what it really is. These parts follow one another, and the principal verb is found in these words, In vain dost thou adorn thyself; and the particle kyis to be rendered "though." There are those who consider ceremonies to be intended, as hypocrites think that they are by these protected against God's judgment: but this view is unsuitable and wholly alien to what is here set forth. It is indeed true, that ceremonies are to hypocrites dens of thieves, as we shall hereafter see, (Jeremiah 7:11;) but the Prophet in this place refers to meretricious ornaments; for the people, as it had before appeared, were become like an adulterous woman. God had formed with them as it were a marriage -- contract; they had violated it; and this perfidy was like the defection of an adulteress, who leaves her husband and wanders here and there, and lives as a prostitute. As then harlots, for the purpose of enticement, are wont to dress themselves elegantly, to paint their faces, and to use other allurements, the Prophet says, "In vain wilt thou adorn thyself; though thou puttest on scarlet, though thou shinest with gold even from the head to the feet, yet all this will be superfluous and useless; and though, in addition to all this, thou paintest thy face, [2] it will yet avail thee nothing." Now, we know whom he understands by lovers, even the Egyptians and the Assyrians. For the Jews, when oppressed by the Egyptians, were wont to seek help from the Assyrians; and again, when attacked by the Assyrians, they became suppliants to the Egyptians. The prophets compared this sort of conduct to that of strumpets; for whenever they courted the aid of either of these parties, they broke the bond of marriage, by which they were connected with God, and perfidiously violated their pledged faith. Hence, the Prophet says, "Even if the Egyptians promise wonderful things to thee, as a lover allured by thy beauty and by thy meretricious ornaments, yet they will deceive thee; and if the Assyrians shew themselves ready to bring aid, they also will disappoint thy hope: so that thou shalt be like a destitute strumpet, reduced to extreme want." I cannot finish today: I must therefore defer the rest until to-morrow.
1 - The words "thou wretched," or, more commonly, "thou spoiled," are left out in the Septuagint and Arabic, and are retained in this sense by the Vulgate, Syriac, and the Targum. But, as Blayney justly says, it is a rendering that is not correct. "Thou," as in the received text, is feminine, and "spoiled" is masculine. The Keri and many MSS. have 't instead of 'ty; and sdvd, as Blayney supposes, is not a passive participle, but a verb in the infinitive mood, used as a noun. So he gives this version, -- And against spoiling what wilt thou do? The word "spoiled," or wasted, may indeed refer to "every city," mentioned in the former verse, and the word for city is masculine. We may then render thus, -- And the city being wasted, what wilt thou do? "The city" may be deemed as the poetical singular for the plural. -- Ed.
2 - The Septuagint, the Vulgate, and the Targum give this rendering, -- "Though thou paintest with stibium thine eyes." The Hebrew literally is, as it is rendered by Blayney, -- Though thou distendest with paint thy eyes. The verb qr, means first to rend, to divide, and then to divide in the sense of distending or enlarging. Large eyes were considered a beauty, and women used a sort of paint, or rather powder, for the purpose of enlarging them. See Lowth's note on Isaiah 3:16, and Parkhurst under the word phk. -- Ed
Translate, And thou, O plundered one, what effectest thou, that "thou clothest thyself with" scarlet, that "thou deckest" thyself "with ornaments of gold," that thou enlargest thine eyes with antimony (2-Kings 9:30 note)? "In vain" dost thou beautify thyself; "thy lovers" despise" thee, they" seek "thy life." Jerusalem is represented as a woman who puts on her best attire to gain favor in the eyes of her lovers, but in vain.
Though thou rentest thy face with painting - This probably refers to the custom of introducing stibium a preparation of antimony, between the eye and the lids, in order to produce a fine lustre, which occasions a distension of the eye-lid in the time of the operation. In order to heighten the effect from this some may have introduced a more than ordinary quantity, so as nearly to rend the eye-lid itself. Though thou make use of every means of address, of cunning, and of solicitation, to get assistance from the neighboring states, it will be all in vain. Reference is here particularly made to the practice of harlots to allure men.
And [when] thou [art] laid waste, what wilt thou do? Though thou (x) clothest thyself with crimson, though thou deckest thee with ornaments of gold, though thou enlarge thy eyes with painting, in vain shalt thou make thyself fair; [thy] lovers will despise thee, they will seek thy life.
(x) Neither your ceremonies nor rich gifts will deliver you.
And when thou art spoiled, what wilt thou do?.... Or, "O thou spoiled" (k), wasted, and undone creature, how wilt thou help thyself? by what means dost thou think thou canst be delivered? it suggests that her ruin was inevitable; that she could not be recovered from it by herself, or any other:
though thou clothest thyself with crimson; and so look like some rich and noble person; hoping thereby to find mercy, and to have quarter given and kindness shown:
though thou deckest thee with ornaments of gold; as a person of high and princely dignity: or rather all this is to be understood of the manner of harlots, who dress rich and grand, in order to allure men; since it follows,
though thou rendest thy face with painting; or, eyes (l); which painting dilates as Jezebel did, 2-Kings 9:30,
in vain shalt thou make thyself fair; so as to be loved and admired: far from it:
thy lovers will despise thee; as an old harlot is despised by her former gallants, notwithstanding all her dressing and painting; yea, their love is often turned into hatred and abhorrence, as would be the case here,
they will seek thy life; to take it away; so far would there be from being any ground of expectations of help and deliverance from them.
(k) "et tu vastata", Pagninus, Montanus "et tu, res vastata", Cocceius. (l) "scindes in fuco oculos tuos", Montanus; "rumpes stibio oculos tuos", Schmidt.
when thou art spoiled--rather, "thou, O destroyed one" [MAURER].
rentest . . . face with painting--Oriental women paint their eyes with stibium, or antimony, to make them look full and sparkling, the black margin causing the white of the eyes to appear the brighter by contrast (2-Kings 9:30). He uses the term "distendest" in derision of their effort to make their eyes look large [MAURER]; or else, "rentest," that is, dost lacerate by puncturing the eyelid in order to make the antimony adhere [ROSENMULLER]. So the Jews use every artifice to secure the aid of Egypt against Babylon.
face--rather, thy eyes (Ezekiel 23:40).
In vain will Jerusalem attempt to turn away calamity by the wiles of a courtesan. In Jeremiah 4:31 the daughter of Zion is addressed, i.e., the community dwelling around the citadel of Zion, or the inhabitants of Jerusalem, the capital of the kingdom, regarded as a female personality (as to בּת־ציּון, see on Isaiah 1:8). "Spoiled one" is in apposition not to the אתּי, but to the person in the verb; it is regarded as adverbial, and so is without inflexion: if thou art spoiled, like ערום, Job 24:7, Job 24:10; cf. Ew. 316, b. The following clauses introduced by כּי are not so connected with the question, what wilt thou do? as that כּי should mean that: what wilt thou do, devise to the end that thou mayest clothe thee? (Graf); the כּי means if or though, and introduces new clauses, the apodosis of which is: "in vain," etc. If thou even clothest thyself in purple. שׁני, the crimson dye, and stuffs or fabrics dyed with it, see in Exodus 25:4. פּוּך is a pigment for the eye, prepared from silver-glance, sulphur-antimony - the Cohol, yet much esteemed by Arab women, a black powder with a metallic glitter. It is applied to the eyelids, either dry or reduced to a paste by means of oil, by means of a blunt-pointed style or eye-pencil, and increases the lustre of dark eyes so that they seem larger and more brilliant. See the more minute account in Hillel, on the eye-paint of the East, in ref. to 2-Kings 9:30. קרע, tear asunder, not, prick, puncture, as Ew., following J. D. Mich., makes it. This does not answer the mode of using the eye-paint, which was this: the style rubbed over with the black powder is drawn horizontally through between the closed eyelids, and these are thus smeared with the ointment. This proceeding Jeremiah sarcastically terms rending open the eyes. As a wife seeks by means of paint and finery to heighten the charms of her beauty in order to please men and gain the favour of lovers, so the woman Jerusalem will attempt by like stratagems to secure the favour of the enemy; but in vain like Jezebel in 2-Kings 9:30. The lovers will despise her. The enemies are called lovers, paramours, just as Israel's quest for help amongst the heathen nations is represented as intrigue with them; see on Jeremiah 2:33, Jeremiah 2:36.
*More commentary available at chapter level.