And in the most holy house he made two cherubims of image work, and overlaid them with gold.

And in the house of the most holy place he made two cherubim of image work, and they overlaid them with gold.

And he maketh in the most holy house two cherubs, image work, and he overlayeth them with gold;

And in the most holy place he made images of two winged beings, covering them with gold.

In the most holy house he made two cherubim of sculptured work; and he overlaid them with gold.

Now he also made, in the house of the Holy of Holies, two cherubim as a work of statues. And he covered them with gold.

The word translated "image work," or, in the margin, "moveable work," occurs only in this passage, and has not even a Hebrew derivation. Modern Hebraists find an Arabic derivation, and explain the word to mean "carved work."

two cherubims--These figures in the tabernacle were of pure gold (Exodus. 25:1-40) and overshadowed the mercy seat. The two placed in the temple were made of olive wood, overlaid with gold. They were of colossal size, like the Assyrian sculptures; for each, with expanded wings, covered a space of ten cubits in height and length--two wings touched each other, while the other two reached the opposite walls; their faces were inward, that is, towards the most holy house, conformably to their use, which was to veil the ark.
The united height is here given; and though the exact dimensions would be thirty-six cubits, each column was only seventeen cubits and a half, a half cubit being taken up by the capital or the base. They were probably described as they were lying together in the mould before they were set up [POOLE]. They would be from eighteen to twenty-one feet in circumference, and stand forty feet in height. These pillars, or obelisks, as some call them, were highly ornamented, and formed an entrance in keeping with the splendid interior of the temple.

The figures of the cherubim are called צעצעים מעשׂה, sculpture work. The ἁπ. λεγ.. צעצעים comes from צוּע, Arab. ṣâǵ, formavit, finxit, and signifies sculptures. The plur. יצפּוּ, "they overlaid them," is indefinite. The length of the wings was five cubits, and the four outspread wings extended across the whole width of the most holy place from one wall to the other. The repetition of the clauses האהר הכּרוּב...האהד כּנף (2-Chronicles 3:11, 2-Chronicles 3:12) has a distributive force: the top of one wing of each cherub reached the wall of the house, that of the other wing reached the wing of the other cherub standing by. In the repetition the masc. מגּיע alternates with the fem. מגּעת, being construed in a freer way as the principal gender with the fem. כּנף, and also with דּבקה, adhaerebat, in the last clause. - In 2-Chronicles 3:12 Bertheau would strike out the word כּנפי because it does not suit פּרשׂים, which occurs in 1-Chronicles 28:17; 2-Chronicles 5:8; 1-Kings 8:7, in the transitive signification, "to stretch out the wings." But nothing is gained by that, for we must then supply the erased word after פּרשׂים again. And, moreover, the succeeding clause is introduced by והם, just because in the first clause the wings, and not the cherubim, were the subject. We hold the text to be correct, and translate: "the wings of these cherubim were, for they stretched them out, twenty cubits." והם refers to הכּרוּבים. They stood upon their feet, consequently upright, and were, according to 1-Kings 6:26, ten cubits high. "And their faces towards the house," i.e., turned towards the holy place, not having their faces turned towards each other, as was the case with the cherubim upon the Capporeth (Exodus 25:20).

Image work - Or, of moveable work, not fixed to the mercy - seat, as the Mosaical cherubim, but in a moving posture. It seems, they were designed to represent the angels, who attend the Divine Majesty.